| # | Player | Score | Time | |
|---|---|---|---|---|
| 1 |
M
|
Mb | 9 / 12 | 2:03 |
| 2 |
S
|
Sue | 8 / 12 | 1:49 |
| 3 |
D
|
Drew | 7 / 12 | 5:04 |
| # | Player | Score | Time | |
|---|---|---|---|---|
| 1 |
M
|
Mb | 9 / 12 | 2:03 |
| 2 |
S
|
Sue | 8 / 12 | 1:49 |
| 3 |
J
|
Jesse | 8 / 12 | 1:56 |
| 4 |
M
|
Moe | 7 / 12 | 2:37 |
| 5 |
D
|
Drew | 7 / 12 | 5:04 |
| # | Player | Score | Time | |
|---|---|---|---|---|
| 1 |
|
Swan girl | 12 / 12 | 1:16 |
| 2 |
J
|
John | 12 / 12 | 1:28 |
| 3 |
T
|
Tony | 12 / 12 | 1:40 |
| 4 |
L
|
Linda | 12 / 12 | 4:31 |
| 5 |
M
|
Mercedesho... | 12 / 12 | 5:56 |
The questions move through the lead performance, police rank, rumpled wardrobe, smoking prop, offscreen household references, basset hound gag, Southern California setting, battered French car, culprit-first case structure, rotating network presentation, repeat guest culprits, and creator-team origins.