| # | Player | Score | Time | |
|---|---|---|---|---|
| 1 |
J
|
Jerry | 9 / 10 | 3:52 |
| 2 |
K
|
Khahn4 | 9 / 10 | 4:13 |
| 3 |
L
|
Lilly | 8 / 10 | 1:24 |
| 4 |
C
|
Charles | 8 / 10 | 2:04 |
| 5 |
S
|
Shots | 8 / 10 | 3:22 |
| # | Player | Score | Time | |
|---|---|---|---|---|
| 1 |
J
|
Jo | 9 / 10 | 2:17 |
| 2 |
J
|
Jerry | 9 / 10 | 3:52 |
| 3 |
K
|
Khahn4 | 9 / 10 | 4:13 |
| 4 |
L
|
Lilly | 8 / 10 | 1:24 |
| 5 |
S
|
Stephen | 8 / 10 | 1:45 |
| # | Player | Score | Time | |
|---|---|---|---|---|
| 1 |
J
|
Jo | 9 / 10 | 2:17 |
| 2 |
J
|
Jerry | 9 / 10 | 3:52 |
| 3 |
K
|
Khahn4 | 9 / 10 | 4:13 |
| 4 |
L
|
Lilly | 8 / 10 | 1:24 |
| 5 |
S
|
Stephen | 8 / 10 | 1:45 |
The questions move through 1950s label identity, polished arranger partnerships, comeback-era singles, Cole Porter standards, late-night ballad albums, upbeat swing records, brassy charts, lush string settings, travel-themed concepts, and torch-song moods.